| T O P I C R E V I E W |
| randall |
Posted - 03/11/2010 : 04:10:29
The new Cedric Kahn is basically two RAAAANDY humans gettin BIZZZZZZY. He's a mousy married architect, she's an unhappy housewife, but when they reunite after several years, they tear at each other with such ferocity that it eventually becomes unintentionally comic. I mean it: there were some vocal chuckles at tonight's FSLC screening. A Philip Glass underscore was chosen, according to the director, because it's "repetitive and passionate." Kahn is trying to illustrate a level of ardor that approaches madness, and you can't fault any of the tech or thesp aspects, but at the end I wondered what all this hard work had given us. |
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